Everything Leads to You starts with this modern noir feel of bestfriends on the trail left behind by a silver screen icon, then shifts into something even more quiet, as the mystery of a letter and its contents, are pushed aside and become more about this new person and the draw she has for Emi. So, a love story... eventually, but not just.
More- it's all of them on the cusp of this new thing: acting-talking-and taking on their more grown up roles, but punctuated with moments of them, being not-quite the adults they picture themselves becoming. They swing back and forth and back from trying to be grown-up TO not-quite managing it. It's this particular aspect of the book that I enjoyed most. Because they all act so adult, sophisticated, and in the know, when really, they're not any of those things... yet.
Emi and Charlotte- reveal an interesting contrast, too. Both 18 and raring to get their adult lives started, but both so young too. It's the second that's most obvious: in their talk of fantasy-reality and the fall of one versus build up of the other. The very concept that not all is evident BUT can be made so, felt so young to me. Them pointing that out at all- felt like such young thing. But, if first there's wonder and possibility and appreciation for both; later there's the other side of them finding what's previously wonderful/fantastic become not just that, the more familiar they become with it.
It's a theme that's repeated here- Emi as a designer and her work in movies; Charlotte and her ability to line things up- both make the more obvious example. Movies as magic versus little tricks and tips and what not. Yet, Emi still holds true despite... despite the learning; she stills sees possibilities. So right there a contrast: she's young but not young; an adult-in-the-making.
Another bit of stripping down is of Ava and Jamal pointing out how Emi's and Charlotte's own reality is part fantasy... especially when contrasted against J's and A's own; as theirs is neither as possibility filled or optimistic as E's and C's.
And later- and last- where Ava is concerned; as seen in the eyes of Emi, there's a movie being made around her (another thing that establishes just how young the MC really is in this one is); because for Emi, she's all these almost childish scenarios of epic love story and a host of other what if's, but it is Ava who's the object of all those what if's. Yet, the moment that ceased and once, more 'stripping down' was done, there's a lot of seeing things for what they were and appreciating things-people- more for the same. This has more than one Fantasy collapse- time and time again; and it's that for all of them that allows the Real-and the better- to come into focus.
They've all cast themselves in some role that they want or think they should have, but once they set those aside, I enjoyed them all more. But there were flaws in this nonetheless- like the too perfect way Emi is- she's just too 'great!' in too many aspects but if objectively seen is not really all that. Her tendency to romanticize things was especially difficult to get over- her and her dream job and what she could/would do; her and her object of admiration/affection/lust/maybe-love had me wondering over her ability to frame things and see things in a certain (unreal?) light. Neither did I appreciate the too simple oppositions: on one side Emi, happy and on the other Ava, not happy at all. It's too easy, the lines made... too simple the differences, pointed out.
Still, I enjoyed this for them and that they're all on the edge of something; with most of them taking on adult roles, but still holding on to a sense of innocence... shedding that last slowly with each fantasy that's collapsed.
thank you, e!